
The extension of the Holocaust museum at National Memorial Camp Vught is conceived as an architectural experience of restraint, transition and reflection. From the outset, the project builds on the powerful language of the existing museum: architecture that frames rather than explains, and that creates distance rather than spectacle. Carefully controlled views of sky, landscape and remnants of the former camp introduce moments of alienation that invite visitors to pause and reflect. Modesty, silence and minimal intervention form the ethical foundation of this Holocaust museum extension.


The extension itself is conceived as a solid volume pressed into the ground behind the existing building, deliberately reducing its visible scale and presence in the landscape. A horizontal cut at ground level separates roof and base, visually pulling the mass apart and creating the impression of a heavy volume hovering just above the ground. As visitors move alongside this opening, the tension between weight and void reinforces a sense of dislocation, subtly preparing them for the emotional and historical gravity of the museum experience.
Inside, space, material and movement are carefully orchestrated to support remembrance. The renewed reception area brings together entrance, orientation, shop and café into a calm and legible sequence, while the extension provides flexible rooms for reflection, gathering and special events. Materials are used sparingly and honestly — wood, concrete and aluminium — including reused elements that quietly embed continuity and care. Throughout the project, architecture remains in service of memory, creating the conditions for listening, witnessing and carrying the stories of the camp and its prisoners forward with dignity.
Inside, space, material and movement are carefully orchestrated to support remembrance. The renewed reception area brings together entrance, orientation, shop and café into a calm and legible sequence, while the extension provides flexible rooms for reflection, gathering and special events. Materials are used sparingly and honestly — wood, concrete and aluminium — including reused elements that quietly embed continuity and care. Throughout the project, architecture remains in service of memory, creating the conditions for listening, witnessing and carrying the stories of the camp and its prisoners forward with dignity.





















Project credits
Client
Camp Vught National Memorial
Location
Vught, the Netherlands
Program
Extension and renewal of museum rooms, museum shop, museum cafe and related functions
Status
realised November 2019
Size
1600m2 of which 300m2 extension
Contractor
Hurks, Eindhoven
Interior Builder
Smeulders, Nuenen
Technical Installations
Kuijpers, ‘s-Hertogenbosch
Advisor Installations
De Blaay, Capelle aan den IJssel
Photography
Teo Krijgsman
Design credits
Design
Duzan Doepel, Eline Strijkers with Kasper Zoet, Mikolai Brus, Riekie Brokking, Francesco Catanese
Construction
Lievens advisors and engineers, Utrecht
Building management
Alsemgeest Design & Build, Rotterdam
Exhibition design
Perspekt Studio
related projects

Almere, the Netherlands

Edinburgh, Scotland

Amsterdam, the Netherlands





